Prevod
As I admired the collection of art objects belonging to my friend the Count of Boltaña, one caught my attention that was hardly outstanding in merit, yet spoke eloquently to my soul. It was a carved image of Saint Benedict of Palermo, with gilded, richly patterned robes. The Saint’s black face and head of woolly hair stood out with singular force against the sumptuous priestly vestments. Noticing the interest with which I studied the statuette, the count remarked:
“That sculpture is among the poorest things here.” “But it embodies an idea,” I replied at once. “It embodies the essentially democratic idea of Catholicism. It is the apotheosis of human equality; it condemns the division into superior and inferior races established by paganism. That is why the little black saint moves me: he must now be bathing in the white light of heaven.”
“If I were to tell you,” exclaimed the count, “when and in whose company I acquired that carving, and what happened afterward, you might think that, as our century draws to a close, civilization is returning to its pagan course, restoring inequality founded on brute force... and that among the leading nations, the very notion of justice is losing ground.”
And as I insisted on hearing the story of the purchase of Saint Benedict without delay, we settled into comfortable old armchairs upholstered in Cordovan leather, and the count began:
“You must know that some years ago a cousin of mine, the consul in Baltimore, gave a letter of introduction to a certain American who was coming to tour the principal cities of Spain and intended to spend about a month in Madrid. With that hospitable courtesy on which we Spaniards pride ourselves, sparing neither time nor money, I devoted myself to accompanying and entertaining the Yankee, taking him wherever he wished to go: to antique dealers’ shops, and also to flamenco cafés and disreputable little theaters, with all that entailed. To explain these seemingly contradictory tastes in my foreign visitor, I must sketch his portrait in a few strokes. He was somewhere between twenty-six and thirty; tall and angular, as though hewn with an axe. The contrast in his appearance lay in that great boxer’s body topped by a smooth, beardless face, with cold, colorless eyes and a feminine mouth. His hair was cropped very short, and in the sunlight his head looked like a ball of pale gold. In short, he had the look of a clergyman, but a powerful physique that belied his clerical, saintly air. He was reserved by nature, with sudden outbursts of wilful fancy; and I readily noticed how, in antique shops, he would pass from icy indifference to violent desire, prompted not by an object’s beauty but by its high price or rarity. ‘Before long,’ he used to say in passable Spanish, taking out his wallet stuffed with banknotes, ‘we’ll have the best of old Europe over there.’ He bought as another man might plunder, and without giving his purchases a second glance, had them crated and shipped. The only things that awakened in him anything resembling respect were odds and ends associated with the nobility—which generally make us Spaniards smile. A worm-eaten coat of arms, a yellowed patent of nobility adorned with miniatures, would attract him and smooth away the ironic twist of his lips. His name was Ricardo Stoddard, and I suspect he owned flour mills and pasta factories; but he never admitted it, and begged me always to call him Don Ricardo, a wish I gratified at little cost.
“One morning, while we were hunting for artistic treasures, that Saint Benedict of Palermo turned up, covered in dust and rather battered. Don Ricardo looked at the image and calmly pronounced: ‘Stupid, a religion that puts blacks on its altars.’ Whether it was the coarseness of the remark that roused me or merely a spirit of contradiction, I bought the sculpture on the spot and ordered it sent straight to the restorer’s. I wanted to make amends to the dark-skinned Saint, and at the same time teach this citizen of a democracy a lesson.
“As it happened, we had arranged to visit a somewhat ill-reputed little café near the slums that very night. Much as I disliked such excursions, I did not feel entitled to break our appointment, and we settled at a table and ordered beer and coffee. About a quarter of an hour had passed when I noticed that a burly black man had just taken a seat at the next table. Black people are so seldom seen in Madrid that I looked at him in considerable surprise, admiring his athletic build, his imposing height, his strength, his bright eyes, and his neat attire; he wore gray, with a white waistcoat and biscuit-colored suede gloves. Unable to help myself, I touched Don Ricardo’s arm and said with a smile:
“‘A fine-looking fellow, eh? What a specimen!’ The Yankee turned and fixed his pale, steely eyes on the black man. I cannot recall another look like it: contempt so concentrated that it had turned to ice, and arrogance finding its ultimate, triumphant expression, were revealed in the glance that followed my remark. And in a piercing, strident voice that cut like a lash, he said aloud:
“‘Oh! Yes. Worth a thousand dollars!’ I cannot describe the effect on me of that market price, that valuation of a horse or a head of cattle, flung in the face of a rational creature, a human being; but I shall describe its effect on the black man, who had heard it perfectly. He grew pale, turning greenish—that is how they pale; the whites of his eyes rolled, and springing to his feet like a tiger, he pulled off a glove and hurled it at the American’s cheek. The latter dodged it by tilting his head; without losing his composure, he took up the sugar tongs and used them to pick up the glove, which had fallen onto the table. He called the waiter and ordered, mangling his Spanish more than usual:
“‘You take this filth away quick!’ The black man remained standing, livid, his arms folded in defiance. For a moment I feared he would rush at us. His gigantic frame shook with fury; his teeth chattered with rage. Yet he restrained himself, unfolded his arms, and turned his back. Seeing that the people in the café were already gathering in an excited crowd, expecting a brawl, I paid our bill and managed to get the Yankee outside. Once in the street, he said, curtly and bitterly:
“‘The things that happen here! A slave throw his glove at me!’ I replied angrily that there were no slaves anymore, and I believe my harangue brought in the black Saint Benedict and the ideals of brotherhood. I must have been preaching in the wilderness, for when I left Don Ricardo at the door of his lodgings, he repeated, clapping me familiarly on the shoulder—he had grown fond of me in his fashion:
“‘A slave! By God!’ As I walked away, I was deeply troubled. I could have sworn that someone had followed us at a distance, step by step, from the Plaza Mayor to the Calle del Caballero de Gracia, which was little frequented at that hour. I looked about me and peered down the side streets, but saw no one. Brooding over the incident, I went home, and for the next few days avoided accompanying Don Ricardo. Curiosity led me to inquire who the gigantic black man was, and I learned that he came from the West Indies, held the important post of head of the Duke of S...’s carriage house, and earned a handsome salary for his skill and mastery.
“And now we come to the end of this adventure, more dramatic than you suppose... A week after the episode in the little café, I was reading a newspaper at the barber’s, and the barber very nearly slit my throat, so violently did I start when I came upon the news that the body of a foreigner had been found in a disreputable alley in the slums, not far from that same café. His initials, R. S., left me in no doubt as to who it was. The newspaper gave further details: death had been caused by two dreadful knife wounds, and the dead man’s bulging wallet and magnificent watch were still in his pockets, clear evidence that revenge had prompted the crime...
“To shed any light on it... would have been rather difficult, unless I spoke out... And I did not. I dared not cast the weight of my words into that terrible balance! Was I wrong? My instinct told me to keep silent!... And whenever I think of that page in my moral life, to soothe myself, to recover my peace, I look at that image of the dark-faced Saint...”