Waltey

Prevod

But if you were to ask Amathus, rich in metals, whether she would claim the Propoetides as her daughters, she would deny them as readily as those whose rugged brows once bore twin horns, from which they took their name, the Cerastae. Before their doors stood an altar to Jupiter, Guardian of Guests; if a stranger, unaware of their crime, had seen it stained with blood, he would have thought that suckling calves and sheep of Amathus were slaughtered there: the victim was a guest. Outraged by these unholy rites, kindly Venus herself was preparing to abandon her cities and the fields of Ophiusa. “But how have these dear places, how have my cities sinned?” she said. “What crime is theirs?

Let this impious race instead pay the penalty of exile, or death, or something midway between death and banishment. And what could that be but the punishment of a changed form?” As she wondered what to turn them into, she looked toward their horns and saw that these might be left them: she transformed their mighty bodies into savage bulls. Yet the shameless Propoetides had dared to deny that Venus was a goddess. For this, through the goddess’s wrath, they are said to have been the first to sell their bodies and their beauty; and when their shame was gone and the blood in their faces hardened, it took little change to turn them into rigid flint.

Because Pygmalion had seen these women passing their lives in wickedness, disgusted by the many faults that nature had bestowed upon the female mind, he lived alone, unmarried, and for years shared his bed with no companion. Meanwhile, with marvelous skill, he successfully carved snow-white ivory, giving it a beauty no woman could be born with; and he fell in love with his own creation.

She had the face of a real maiden, whom you might believe alive and eager to move, if modesty did not restrain her: so completely did his art conceal its art. Pygmalion gazed in wonder, and his heart drank in the fires of love for that imagined body. Often he laid his hands upon his work, testing whether it was flesh or ivory, and still would not admit that it was ivory.

He kissed her and thought his kisses returned; he spoke to her and held her, and believed his fingers sank into the limbs he touched, and feared that bruises might appear where he had pressed. Now he caressed her, now brought her gifts that girls delight in: shells and smooth pebbles, little birds and flowers of a thousand colors, lilies, painted balls, and the tears of the Heliades that fall from trees. He dressed her limbs in clothes, put jewels on her fingers and long necklaces around her neck; light pearls hung from her ears, and chains upon her breast.

Everything became her; nor did she seem less lovely naked. He laid her on a couch dyed with Sidonian purple, called her his companion of the bed, and rested her reclining head on soft down pillows, as though she could feel them. The festival of Venus, celebrated throughout Cyprus, had come, and heifers with gold upon their curving horns had fallen beneath the blow upon their snowy necks, and incense smoked. Having made his offering, Pygmalion stood before the altar and timidly said, “If you gods can grant all things, I pray that my wife may be”—not daring to say “the ivory maiden”— “a woman like my ivory maiden.”

Golden Venus, present at her own festival, understood what his prayer meant; and, as a sign of her favor, the flame flared up three times and sent its tip into the air. When he returned, he sought the image of his maiden and, bending over the couch, kissed her: she seemed warm. He pressed his lips to hers again and felt her breast with his hands: beneath his touch the ivory softened, lost its hardness, and yielded to his fingers, giving way as wax from Hymettus softens in the sun and, worked beneath the thumb, is molded into many shapes, becoming useful through use itself.

Amazed, rejoicing doubtfully, afraid he was deceived, the lover touched his answered prayer again and yet again. It was flesh: beneath his testing thumb the veins pulsed. Then indeed the hero of Paphos poured out the fullest words of thanks to Venus, and at last pressed his lips to lips that were no illusion. The maiden felt his kisses and blushed, and, lifting her timid eyes to the light, saw her lover and the sky together.

The goddess attended the marriage she had made. And when the moon’s horns had nine times joined to form a full round, the bride bore Paphos, from whom the island takes its name.

Izvirnik

Source ID: ovid_metamorphoses_story_070 Citation: Ovid, Metamorphoses 10.220-10.297 Original language: Latin Source: PerseusDL canonical-latinLit Source URL: https://github.com/PerseusDL/canonical-latinLit/blob/master/data/phi0959/phi006/phi0959.phi006.perseus-lat2.xml Segmentation certainty: medium 220: At si forte roges fecundam Amathunta metallis, 221: an genuisse velit Propoetidas, abnuat aeque 222: atque illos, gemino quondam quibus aspera cornu 223: frons erat: unde etiam nomen traxere Cerastae.

224: Ante fores horum stabat Iovis Hospitis ara; 225: ignarus sceleris quam siquis sanguine tinctam 226: advena vidisset, mactatos crederet illic 227: lactantes vitulos Amathusiacasque bidentes: 228: hospes erat caesus. Sacris offensa nefandis 229: ipsa suas urbes Ophiusiaque arva parabat 230: deserere alma Venus. “Sed quid loca grata, quid urbes 231: peccavere meae? Quod” dixit “crimen in illis?

232: Exsilio poenam potius gens impia pendat, 233: vel nece, vel siquid medium est mortisque fugaeque. 234: Idque quid esse potest, nisi versae poena figurae?” 235: Dum dubitat, quo mutet eos, ad cornua vultum 236: flexit et admonita est haec illis posse relinqui: 237: grandiaque in torvos transformat membra iuvencos. 238: Sunt tamen obscenae Venerem Propoetides ausae 239: esse negare deam. Pro quo sua, numinis ira, 240: corpora cum forma primae vulgasse feruntur: 241: utque pudor cessit sanguisque induruit oris, 242: in rigidum parvo silicem discrimine versae.

243: Quas quia Pygmalion aevum per crimen agentes 244: viderat, offensus vitiis, quae plurima menti 245: femineae natura dedit, sine coniuge caelebs 246: vivebat thalamique diu consorte carebat. 247: Interea niveum mira feliciter arte 248: sculpsit ebur formamque dedit, qua femina nasci 249: nulla potest: operisque sui concepit amorem. 250: Virginis est verae facies, quam vivere credas, 251: et, si non obstet reverentia, velle moveri: 252: ars adeo latet arte sua. Miratur et haurit 253: pectore Pygmalion simulati corporis ignes.

254: Saepe manus operi temptantes admovet, an sit 255: corpus an illud ebur: nec adhuc ebur esse fatetur. 256: Oscula dat reddique putat loquiturque tenetque, 257: et credit tactis digitos insidere membris, 258: et metuit, pressos veniat ne livor in artus. 259: Et modo blanditias adhibet, modo grata puellis 260: munera fert illi conchas teretesque lapillos 261: et parvas volucres et flores mille colorum 262: liliaque pictasque pilas et ab arbore lapsas 263: Heliadum lacrimas; ornat quoque vestibus artus, 264: dat digitis gemmas, dat longa monilia collo: 265: aure leves bacae, redimicula pectore pendent.

266: Cuncta decent: nec nuda minus formosa videtur. 267: Conlocat hanc stratis concha Sidonide tinctis 268: appellatque tori sociam, acclinataque colla 269: mollibus in plumis, tamquam sensura, reponit. 270: Festa dies Veneris tota celeberrima Cypro 271: venerat, et pandis inductae cornibus aurum 272: conciderant ictae nivea cervice iuvencae, 273: turaque fumabant: cum munere functus ad aras 274: constitit et timide, “si di dare cuncta potestis, 275: sit coniunx, opto” (non ausus “eburnea virgo” 276: dicere) Pygmalion “similis mea” dixit “eburnae.”

277: Sensit, ut ipsa suis aderat Venus aurea festis, 278: vota quid illa velint; et, amici numinis omen, 279: flamma ter accensa est apicemque per aera duxit. 280: Ut rediit, simulacra suae petit ille puellae 281: incumbensque toro dedit oscula: visa tepere est. 282: Admovet os iterum, manibus quoque pectora temptat: 283: temptatum mollescit ebur positoque rigore 284: subsidit digitis ceditque, ut Hymettia sole 285: cera remollescit tractataque pollice multas 286: flectitur in facies ipsoque fit utilis usu.

287: Dum stupet et dubie gaudet fallique veretur, 288: rursus amans rursusque manu sua vota retractat. 289: Corpus erat: saliunt temptatae pollice venae. 290: Tum vero Paphius plenissima concipit heros 291: verba, quibus Veneri grates agat, oraque tandem 292: ore suo non falsa premit: dataque oscula virgo 293: sensit et erubuit timidumque ad lumina lumen 294: attollens pariter cum caelo vidit amantem.

295: Coniugio, quod fecit, adest dea. Iamque coactis 296: cornibus in plenum noviens lunaribus orbem 297: illa Paphon genuit, de qua tenet insula nomen.

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