Waltey

Prevod

Long ago, in the army of Emperor Wu of Wei, men began making white caps for no apparent reason. Such plain white attire was an ominous sign of death and mourning. At first, a seam was sewn across the front to distinguish it from the back, and these were called “caps with a face.” The fashion spread. By the Yongjia era, the seam was gradually dispensed with, and they were called “faceless caps.” Meanwhile, women bound their hair ever more loosely, until even their tightly tied topknots could no longer stand upright; their hair hung over their foreheads, leaving only their eyes visible. “Faceless” spoke of shame; a covered forehead showed the look of humiliation. The ever-looser binding signified that all beneath Heaven had abandoned ritual propriety and righteousness and given free rein to their passions, until, at the furthest extreme, they would come to utter disgrace. Two years later came the turmoil of Yongjia. The realm fell apart, and the common people, grieving amid calamity, had no face left with which to go on living.

Izvirnik

昔魏武軍中無故作白帢,此縞素凶喪之徵也。初,橫縫其前以別後,名之曰「顏帢」,傳行之。至永嘉之間,稍去其縫,名「無顏帢」,而婦人束髮,其緩彌甚,紒之堅不能自立,髮被於額,目出而已。無顏者,愧之言也。覆額者,慚之貌也。其緩彌甚者,言天下亡禮與義,放縱情性,及其終極,至於大恥也。其後二年,永嘉之亂,四海分崩,下人悲難,無顏以生焉。

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