Waltey

Prevod

Then the emperor, wishing to have a likeness of the holy man preserved, sent three painters to him. Lest a single painter fail to capture his appearance faithfully, he instructed each of the three to make a separate portrait. The painters went to the holy man and explained that they had come by imperial command. “Wait a moment,” he said, and came out to receive them dressed in his Buddhist vestments. Each painter spread out his silk, and the three sat side by side, about to set brush to it, when the holy man said, “Wait. I have a true form. Look upon it and paint what you see.” The painters held their brushes and watched his face. With his thumbnail, he slit the skin of his forehead and drew it aside to left and right, revealing the golden face of a bodhisattva. One painter saw Eleven-faced Kannon; another beheld Shō Kannon. Each reverently painted what he saw, and they carried their portraits back to court. Astonished, the emperor sent another messenger to inquire, but the holy man had vanished without a trace. Only then did they say to one another that he had been no ordinary mortal.

Izvirnik

昔もろこしに宝志和尚と云聖ありいみしくたうとくおはし

けれは御門かの聖の姿を書ととめんとて絵師三人をつかはしてもし一人しては書たかゆる事もありとて三人して面々にうつすへきよし仰ふくめられてつかはさせ給に三人の絵師聖のもとへまいりてかく宣旨を蒙てまうてたるよし申けれはしはしといひて法服の装束して出合給へるを三人の絵師各かくへき絹をひろけて三人ならひて筆をくたさんとするに聖しはらく我まことの形ありそれをみて書うつすへしと有けれは絵師左右なくかかすして聖の御顔をみれは大指の爪にてひたいの皮をさしきりて皮を左右へ引のけてあるより金色の菩薩のかほをさし出たり一人の絵師は十一面観音とみる一人の絵師は聖観音と拝たてまつる各みるままにうつしたてまつりて持て参たりけれは御門おとろき給て別の使をやらせ給てとはせ給ふにかいけつやうにして失給ぬそれよりそたた人にてはおはせさりけりと申あへりける

Nalagam bralnik