Waltey

Prevod

(Without clarity, no work is good.) The trustworthy Father Valdecebro, who racked his brains devising tales of animals, describing them in minute detail; who in lofty, eloquent language 5 tells wonders of the unicorn and believes implicitly in the phoenix (I cannot quite recall whether in book eight or nine), relates the story of a celebrated Monkey. 10 This creature, then, adept at a thousand tricks and in the service of a great puppeteer, decided one day, while his master was away, to invite various animals, 15 his closest friends among them, to come and witness all his finest monkey tricks. He began by playing dead; then danced upon the tightrope like a harlequin, 20 performed the somersault and bell swing, then the headlong plunge, the splits, a string of tumbles, and finally a Prussian drill. Of these and other talents he made a grand display, 25 but the best was yet to come; for, copying his master’s practice, he thought he would offer them, to round off the afternoon and make the show delightful, a scene from the magic lantern. 30 Once he had won his audience’s attention with an introductory address, as custom dictates, he took his place behind the apparatus; and as he handled 35 the painted slides, easily moved this way and that, he explained the various figures with fluent assurance. The room was dark, 40 as such occasions require, and though those present watched intently, not one could see the marvels that, with so much chatter and such a solemn tone, 45 the ingenious Monkey announced to them. They were all bewildered, suspecting that they were being made fools of. The Monkey was already growing embarrassed when Master Pedro suddenly came in, 50 and, learning what had happened, said to him, half sternly and half laughing: “You blockhead! What use is all your endless chatter when you have left the lantern unlit?” Forgive me, subtle and lofty Muses, 55 who pride yourselves on being obscure: could I put it to you any better that without clarity you lack everything?

Izvirnik

(Sin claridad no hay obra buena.)

El fidedigno padre Valdecebro, Que en discurrir historias de animales Se calentó el celebro, Pintándolos con pelos y señales; Que en estilo encumbrado y elocuente 5 Del unicornio cuenta maravillas Y el ave fénix cree a pie juntillas (No tengo bien presente Si es en el libro octavo o en el nono), Refiere el caso de un famoso Mono. 10 Éste, pues, que era diestro En mil habilidades, y servía A un gran titiritero, quiso un día, Mientras estaba ausente su maestro, Convidar diferentes animales 15 De aquellos más amigos, A que fuesen testigos De todas sus monadas principales. Empezó por hacer la mortecina; Después bailó en la cuerda a la arlequina, 20 Con el salto mortal y la campana, Luego el despeñadero, La espatarrada, vueltas de carnero, Y al fin el ejercicio a la prusiana. De éstas y de otras gracias hizo alarde, 25 Mas lo mejor faltaba todavía; Pues imitando lo que su amo hacía, Ofrecerles pensó, porque la tarde Completa fuese y la función amena, De la linterna mágica una escena. 30 Luego que la atención del auditorio Con un preparatorio Exordio concilió, según es uso, Detrás de aquella máquina se puso; Y durante el manejo 35 De los vidrios pintados, Fáciles de mover a todos lados, Las diversas figuras Iba explicando con locuaz despejo. Estaba el cuarto a obscuras, 40 Cual se requiere en casos semejantes, Y aunque los circunstantes Observaban atentos, Ninguno ver podía los portentos Que con tanta parola y grave tono 45 Les anunciaba el ingenioso Mono. Todos se confundían, sospechando Que aquello era burlarse de la gente. Estaba el Mono ya corrido, cuando Entró maese Pedro de repente, 50 E informado del lance, entre severo Y risueño le dijo: "¡Majadero! ¿De qué sirve tu charla sempiterna, Si tienes apagada la linterna?" Perdonadme, sutiles y altas Musas, 55 Las que hacéis vanidad de ser confusas: ¿Os puedo yo decir con mejor modo Que sin la claridad os falta todo?

Nalagam bralnik