Waltey

Prevod

Lu Chong was a native of Fanyang. Thirty li west of his home stood the tomb of Assistant Magistrate Cui. When Chong was twenty, on the day before the winter solstice, he went hunting west of his house. He saw a river deer, raised his bow, and shot it. The deer fell, then rose again. Chong chased after it, going farther than he realized, until suddenly, about a li north of the road, he saw a lofty gate and tiled buildings, enclosed on all sides like an official residence. The deer had vanished. An attendant inside the gate announced the visitor and bade him come forward. “Whose residence is this?” Chong asked. “The Assistant Magistrate’s,” came the reply. “My clothes are shabby,” said Chong. “How can I present myself to him?” At once a man appeared carrying a bundle of new clothes. “His Lordship sends these for you, young master,” he said. Chong put them on and went in to meet the Assistant Magistrate, giving his name in greeting. After several rounds of wine and roast meat, Cui said to him, “Your honored father has not disdained my humble household. I recently received a letter from him asking for my young daughter’s hand on your behalf. That is why I have had you brought here.” He showed Chong the letter. Though Chong had been young when his father died, he already knew his father’s handwriting. He began to sob and offered no further objection. Cui then sent word to the inner quarters: “Young Master Lu has arrived. Have the young lady dress for the wedding.” He told Chong, “You may go to the eastern gallery.” At dusk, word came from within: “The young lady has finished dressing.” By the time Chong reached the eastern gallery, she had stepped down from her carriage and was standing at the head of the mat. They then bowed together. Chong remained there for three days, with meals provided throughout. At the end of the three days, Cui said, “You may go home now. My daughter shows signs of pregnancy. If she bears a son, I shall send him back to you; have no doubts on that score. If she bears a daughter, I shall keep her here and raise her.” He ordered the servants outside to prepare a carriage to see the guest home. Chong took his leave. Cui accompanied him as far as the middle gate, clasping his hand and shedding tears. Outside, Chong saw a calf-drawn carriage with a driver in blue, and beside the gate lay the clothes he had worn before, together with his bow and arrows. Soon a messenger brought a man carrying another bundle of clothes and conveyed this message: “Our bond as kinsmen has only just begun, and already we must part, to my great sorrow. I send you another suit of clothes, with bedding to match.” Chong climbed into the carriage. It sped away like lightning and brought him home in a moment. His family greeted him with mingled grief and joy and pressed him with questions. When he learned that Cui was dead and that he had entered the man’s tomb, he was filled with dismay and regret. Four years after their parting, on the third day of the third month, Chong was taking his ease beside the water when he suddenly saw two calf-drawn carriages, now sinking, now floating. Presently they approached the shore, and everyone seated with him could see them. Chong went over and opened the rear door of one carriage. Inside were Cui’s daughter and a boy of three. Delighted, Chong reached for her hand, but she raised hers and pointed toward the carriage behind. “His Lordship is here to see you,” she said. Chong then saw the Assistant Magistrate and went over to pay his respects. The young woman placed the child in Chong’s arms. She also gave him a gold bowl and a poem: “Radiant as the sacred fungus, / How lovely was my shining form! / My beauty blossomed in its season, / Its rare splendor a sign of the divine. / Yet before the bud could fully flower, / Frost struck it down in summer’s height. / My glory sank forever into darkness; / No path remained for me among the living. / Who could have foreseen the turning of yin and yang, / Or that a worthy man would come to me? / Our meeting brief, our parting swift— / Such was the decree of spirits and gods. / What can I give the one I hold dear? / This golden bowl may help you rear our son. / Here our love must come to an end; / Grief rends my heart and tears my very soul.” Chong took the child, the bowl, and the poem. Suddenly both carriages vanished. When he brought the boy back to his companions, they all thought him a ghost or demon and spat at him from a distance. His form remained unchanged. They asked him, “Who is your father?” The boy went straight into Chong’s arms. At first everyone had regarded him with horror and aversion, but after passing the poem around and reading it, they sighed deeply at the mysterious passage between life and death. Later, Chong rode into the market to sell the bowl. He set the price high, not wishing to sell it quickly, in the hope that someone would recognize it. Before long an old maidservant did recognize it and went home to tell her mistress, “In the market I saw a man sitting in a carriage, selling the bowl that was buried in young Lady Cui’s coffin.” Her mistress was the young woman’s own maternal aunt. She sent her son to look, and he found everything just as the maid had described. He climbed into Chong’s carriage, introduced himself, and said, “My aunt married the Assistant Magistrate and bore him a daughter, who died before she could marry. Our family grieved for her and placed a gold bowl in her coffin. Can you tell me how you came by it?” Chong told him what had happened, and the young man too choked with grief. He took the bowl home and reported to his mother, who at once sent him to Chong’s house to bring the child for her to see. All the relatives gathered. The boy had the features of the Cui family, yet also resembled Chong. Both the child and the bowl bore out his account. The aunt said, “My great-nephew was born toward the end of the third month. His father spoke of spring and its gentle warmth, and wished that he might flourish and grow strong.” So the boy was given the courtesy name Wenxiu, “Warmth and Blessing.” Wenxiu had indeed been born of a marriage with the dead, and the signs of his future distinction had appeared early. He grew into a man of outstanding ability and served successively as commandery governor, holding offices of two thousand bushels. His descendants followed one another in high office. In the present day, his descendant Zhi, whose courtesy name is Zigan, is renowned throughout the realm.

Izvirnik

盧充者,范陽人,家西三十里,有崔少府墓,充年二十,先冬至一日,出宅西獵戲,見一獐,舉弓而射,中之,獐倒,復起。充因逐之,不覺遠,忽見道北一里許,高門瓦屋,四周有如府舍,不復見獐。門中一鈴下唱客前。充曰:「此何府也?」答曰:「少府府也。」充曰:「我衣惡,那得見少府?」即有一人提一襆新衣,曰:「府君以此遺郎。」充便著訖,進見少府。展姓名。酒炙數行。謂充曰:「尊府君不以僕門鄙陋,近得書,為君索小女婚,故相迎耳。」便以書示充。充,父亡時雖小,然已識父手跡,即欷歔無復辭免。便敕內:「盧郎已來,可令女郎妝嚴。」且語充云:「君可就東廊,及至黃昏。」內白:「女郎妝嚴已畢。」充既至東廊,女已下車,立席頭,卻共拜。時為三日,給食三日畢,崔謂充曰:「君可歸矣。女有娠相,若生男,當以相還,無相疑。生女,當留自養。」敕外嚴車送客。充便辭出。崔送至中門,執手涕零。出門,見一犢車,駕青衣,又見本所著衣及弓箭,故在門外。尋傳教將一人提襆衣與充,相問曰:「姻援始爾,別甚悵恨。今復致衣一襲,被褥自副。」充上車,去如電逝,須臾至家。家人相見,悲喜推問,知崔是亡人,而入其墓。追以懊惋。別後四年,三月三日,充臨水戲,忽見水旁有二犢車,乍沈乍浮,既而近岸,同坐皆見,而充往開車後戶,見崔氏女與三歲男共載。充見之,忻然欲捉其手,女舉手指後車曰:「府君見人。」即見少府。充往問訊,女抱兒還。充又與金鋺,并贈詩曰:「煌煌靈芝質,光麗何猗猗!華豔當時顯,嘉異表神奇。含英未及秀,中夏罹霜萎。榮耀長幽滅,世路永無施。不悟陰陽運,哲人忽來儀。會淺離別速,皆由靈與只。何以贈余親,金鋺可頤兒。恩愛從此別,斷腸傷肝脾。」充取兒,鋺及詩,忽然不見二車處。充將兒還,四坐謂是鬼魅,僉遙唾之。形如故。問兒:「誰是汝父?」兒逕就充懷。眾初怪惡,傳省其詩,慨然歎死生之玄通也。充後乘車入市,賣鋺,高舉其價,不欲速售,冀有識。欻有一老婢識此,還白大家曰:「市中見一人,乘車,賣崔氏女郎棺中鋺。」大家,即崔氏親姨母也,遣兒視之,果如其婢言。上車,敘姓名,語充曰:「昔我姨嫁少府,生女,未出而亡。家親痛之,贈一金鋺,著棺中。可說得鋺本末。」充以事對。此兒亦為之悲咽。賚還白母,母即令詣充家,迎兒視之。諸親悉集。兒有崔氏之狀,又復似充貌。兒、鋺俱驗。姨母曰:『我外甥三月末間產。父曰春,暖溫也。願休強也。」即字溫休。溫休者,蓋幽婚也,其兆先彰矣。兒遂成令器。歷郡守二千石,子孫冠蓋相承。至今其後植,字子幹,有名天下。

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