Waltey

Prevod

There was a young man who was studying to be a poet. He meant to become one by Easter, get married, and make his living by poetry, and that, he knew, was simply a matter of thinking things up—but he could not think of anything. He had been born too late; everything had been taken up before he came into the world, everything had been made into poetry and written about.

"Happy the people who were born a thousand years ago!" he said. "They could easily become immortal! Happy even those who were born a hundred years ago, when there was still something left to write poetry about. Now all the poetry has been written out of the world; what can I possibly write into it?"

He pondered this until he grew sick and poorly, the wretched fellow. No doctor could help him, but perhaps the wise woman could. She lived in the little house by the field gate, which she opened for people in carriages and on horseback; but she could open much more than the gate. She was wiser than the doctor who drove his own carriage and paid a tax on his rank.

"I must go out and see her!" said the young man. The house she lived in was small and neat, but dull to look at; there was not a tree, not a flower. A beehive stood outside the door—very useful! There was a little potato patch—very useful! And there was a ditch lined with blackthorn bushes, whose blossoms had fallen and given way to berries that pucker your mouth if you taste them before the frost has touched them.

"Here is a perfect picture of our unpoetic age!" thought the young man; and that, at least, was a thought, a grain of gold he had found at the wise woman's door.

"Write it down!" she said. "Crumbs are bread too! I know why you have come: you cannot think of anything, and yet you mean to be a poet by Easter!" "Everything has been written down!" he said. "Our times are not like the old days!"

"No!" said the woman. "In the old days wise women were burned, and poets went about with empty bellies and holes at their elbows. These are good times, the very best! But you have not the right eye for things, you have not sharpened your hearing, and I dare say you never say your Lord's Prayer at night. There is plenty here of every kind to make poetry and tell stories about, if you know how to tell them. You can draw it out of the plants and crops of the earth, scoop it up from running water and from still water; but you must know how, know how to catch a sunbeam. Now try on my spectacles, put my ear trumpet to your ear, then pray to Our Lord and stop thinking about yourself!"

That last was very difficult indeed, more than a wise woman could reasonably ask. He was given the spectacles and the ear trumpet, then placed in the middle of the potato patch. She put a large potato into his hand; a sound rang out from it, and there came a song with words, the history of the potatoes—interesting! An everyday story in ten parts; ten lines were enough.

And what did the potato sing? It sang of itself and its family: the arrival of the potatoes in Europe, the misunderstanding they had endured and suffered before they came to be acknowledged, as they were now, as a greater blessing than a lump of gold.

"By royal command we were handed out at the town hall in every town; proclamations were issued about our great importance, but people did not believe them and did not even understand how to plant us. One man dug a hole and threw his whole bushel of potatoes into it; another stuck one potato here and another there in the ground, expecting each to shoot up into a whole tree from which he could shake potatoes. There was growth, to be sure, and flowers and watery fruit, but it all withered away. No one thought of what lay underneath, the blessing: the potatoes. Yes, we have endured and suffered—that is to say, our forefathers have; they and we, it all comes to the same thing! What stories!"

"Yes, that will do for now!" said the woman. "Look at the blackthorns!" "We too," said the blackthorns, "have close relations in the potatoes' homeland, farther north than they grew. Norsemen came from Norway, steering westward through fog and storms to an unknown land, where, beyond the ice and snow, they found herbs and greenery, bushes bearing the blue-black berries of the vine: blackthorns! The frost ripened them into grapes, as it does us. And the land was named 'Vinland—that is, Greenland—that is, Sloeland!'"

"That is quite a romantic tale!" said the young man. "Yes, now come along!" said the wise woman, and led him over to the beehive. He looked inside. What life and bustle! In every passage bees stood fanning their wings to keep a healthy draught of air flowing through the whole great factory; that was their job. Now bees came in from outside, born with baskets on their legs; they brought pollen, which was shaken out, sorted, and made into honey and wax. They came and went; the queen bee wanted to fly too, but then they would all have to go with her! It was not the time for that; still, she insisted on flying, so they bit off Her Majesty's wings, and then she had to stay.

"Now climb up onto the bank!" said the wise woman. "Come and look out over the highway, where there are good folk to be seen!" "What a teeming crowd!" said the young man. "Story upon story! What a whirring and buzzing! It is all a bewildering jumble! I am falling backwards!"

"No, go straight ahead!" said the woman. "Go straight into the throng of people, keep your eyes and ears open to them, and put your heart into it! Then you will soon think of something! But before you go, I must have my spectacles and my ear trumpet!" And she took them both.

"Now I cannot see a thing!" said the young man. "Now I cannot hear anything either!" "Well, then you cannot become a poet by Easter!" said the wise woman.

"But when, then?" he asked. "Neither by Easter nor by Whitsuntide! You will never learn to think things up." "Then what am I to do to make a living out of poetry?"

"You can manage that by Shrovetide! Knock the poets out of the barrel! Strike at their writings—that is the same as striking at them. Just do not let yourself be daunted; strike away, and you will get buns enough to feed both yourself and your wife!"

"The things one can think up!" said the young man, and so he knocked every other poet out of the barrel, since he could not become a poet himself. We have it from the wise woman; she knows what one can think up.

Izvirnik

Eventyr af Hans Christian Andersen

Der var en ung mand, som studerede til at være digter, han ville være det til påske, gifte sig og leve af digteriet, og det er, vidste han, bare at hitte på, men han kunne ikke hitte på. Han var født for silde, alt var taget op før han kom til verden, alt var der digtet og skrevet om.

"De lykkelige mennesker der fødtes for tusinde år siden!" sagde han. "De kunne sagtens blive udødelige! lykkelig selv den der fødtes for hundred år siden, da var der dog endnu noget at digte om; nu er verden digtet ud, hvad skal jeg kunne digte ind!"

Han studerede på det, så at han blev syg og dårlig, det elendige menneske; ingen doktor kunne hjælpe ham, men måske den kloge kone. Hun boede i det lille hus ved markleddet, som hun lukkede op for kørende og ridende; hun kunne rigtignok lukke mere op end leddet, hun var klogere end doktoren, der kører i egen vogn og betaler rangskat.

"Jeg må ud til hende!" sagde den unge mand.

Huset, hun boede i, var lille og net, men kedeligt at se på; der var ikke et træ, ikke en blomst; der stod en bistade ud for døren, meget nyttig! der var en lille kartoffelmark, meget nyttig! og en grøft med slåentjørne, der havde afblomstret og sat bær, som rimper munden sammen, når man smager dem før de har fået frost.

"Det er livagtig vor poesiløse tid, jeg her ser!" tænkte den unge mand, og det var altid en tanke, et guldkorn, han fandt ved den kloge kones dør.

"Skriv det op!" sagde hun; "smuler er også brød! hvorfor du kommer her, ved jeg; du kan ikke hitte på, og dog vil du være digter til påske!"

"Alt er skrevet op!" sagde han. "Vor tid er ikke gammel tid!"

"Nej!" sagde konen; "i gammel tid blev de kloge koner brændt, og poeterne gik om med slunken tarm og hul på albuen. Tiden er just god, den er den allerbedste! men du har ikke rigtig syn på sagen, du har ikke skærpet hørelsen og læser nok aldrig dit 'fadervor' om aftnen. Her er fuldt op i alle måder til at digte og fortælle om, når man kan fortælle. Du kan løse det ud af jordens vækster og grøde, øse det op af det rindende og af det stillestående vand, men du må forstå det, forstå at fange en solstråle. Prøv nu engang mine briller, få mit hørerør i øret, bed så til Vorherre og lad være at tænke på dig selv!"

Det sidste var nu meget svært, mere, end en klog kone kan forlange.

Han fik brillerne og hørerøret, blev så stillet midt i kartoffelmarken; hun gav ham i hånden en stor kartoffel; det klang i den; der kom en sang med ord, kartoflernes historie, interessant, - en hverdagshistorie i ti dele, ti linjer var nok.

Og hvad sang kartoflen?

Den sang om sig og sin familie: Kartoflernes ankomst til Europa, den miskendelse, de havde prøvet og lidt, før de, som nu, stod erkendte som en større velsignelse end en guldklump.

"Vi blev på kongeligt bud uddelt på rådhuset i alle byer; der blev givet kundgørelse om vor store betydning, men man troede ikke på den, forstod ikke engang at plante os. En gravede et hul og kastede hele sin skæppe kartofler derned; en anden stak en kartoffel her, en der, ned i jorden og ventede at den skulle skyde op som et helt træ, hvoraf man kunne ryste kartofler. Der kom også vækst, blomster, vandfyldt frugt, men det hele visnede. Ingen tænkte på hvad der lå på bunden, velsignelsen: Kartoflerne. Ja vi har prøvet og lidt, det vil sige, vore forfædre, de og vi, det kommer nu ud på et! hvilke historier!"

"Ja, nu kan det være nok!" sagde konen. "Betragt slåentjørnene!"

"Vi har også," sagde slåentjørnene, "nær familie i kartoflernes hjemland, højere nordpå, end de groede. Der kom nordmænd fra Norge, de styrede vestpå gennem tåge og storme til et ukendt land, hvor de, bag is og sne, fandt urter og grønt, buske med vinens sortblå bær: Slåentjørne, de frøs til modne druer, det gør også vi. Og landet fik navn 'Vinland – dvs. Grønland – dvs. Slåenland!'"

"Det er en hel romantisk fortælling!" sagde den unge mand.

"Ja kom nu med!" sagde den kloge kone og førte ham hen til bistaden. Han så ind i den. Hvilket liv og røre! Der stod bier i alle gange og viftede med vingerne for at der kunne være sundt lufttræk i hele den store fabrik, det var deres bestilling; nu kom udefra bier, født med kurve på benene, de bragte blomsterstøv, det blev rystet ud, sondret og lavet til honning og voks; de kom, de fløj; bidronningen ville også flyve, men da må de alle med! det var nu ikke tiden; flyve ville hun dog; så bed de vingerne af Hendes Majestæt, og så måtte hun blive.

"Stig nu op på grøften!" sagde den kloge kone, "kom og se ud over landevejen hvor godtfolk er at se!"

"Det var da en myldrende mængde!" sagde den unge mand, "historie på historie! det snurrer og surrer! det bliver mig ganske broget! jeg går bagover!"

"Nej, gå ligefrem!" sagde konen, "gå lige ind i menneskevrimlen, hav syn på den, øre for den og hjerte med! så skal du snart hitte på! men før du går, må jeg have mine briller og mit hørerør!" og så tog hun begge dele.

"Nu ser jeg ikke det mindste!" sagde den unge mand, "nu hører jeg ikke mere!"

"Ja, så kan du ikke blive digter til påske!" sagde den kloge kone.

"Men når da?" spurgte han.

"Hverken til påske eller pinse! du lærer ikke at hitte på."

"Hvad skal jeg da gøre for at komme i levebrød ved poesien?"

"Der kan du allerede komme til fastelavn! slå poeterne af tønden! slå deres skrifter, det er at slå dem selv. Lad dig bare ikke forbløffe; slå raskvæk, så får du boller, hvormed du kan føde både dig og din kone!"

"Hvad man kan hitte på!" sagde den unge mand, og så slog han af tønde hver anden poet, da han ikke selv kunne blive poet.

Vi har det fra den kloge kone, hun ved hvad man kan hitte på.

Nalagam bralnik