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Cvetlice male Ide

Andersenove pravljice · Hans Christian Andersen
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O besedilu

Cvetlice male Ide

Vir
Andersenove pravljice
Avtor
Hans Christian Andersen
Jezik branja
English
Jezik izvirnika
Dansk
Čas branja
15 min branja
Obseg
12 strani
Naslov izvirnika
Den lille Idas blomster

O izvirniku

Andersenove pravljice

Literarne pravljice z nežnostjo, bolečino in ostrim občutkom za čudežno. Bralni jezik je English, izvirnik pa prihaja iz vira Andersenove pravljice v jeziku Dansk.

Besedilo

Cvetlice male Ide

"My poor flowers are quite dead!" said little Ida. "They were so beautiful last night, and now all their leaves are drooping and withered! Why do they do that?" she asked the student who was sitting on the sofa. She was very fond of him, for he knew the most delightful stories and cut out such amusing paper pictures: hearts with little ladies dancing inside them, flowers, and great castles with doors that could be opened. He was a merry student! "Why do the flowers look so poorly today?" she asked again, showing him a whole bouquet that was quite withered.

"Well, do you know what is wrong with them?" said the student. "The flowers were at a ball last night, and that is why their heads are drooping!" "But flowers can't dance!" said little Ida.

"Oh yes," said the student, "when it grows dark and the rest of us are asleep, they leap merrily about. They have a ball almost every night of their lives!" "Aren't any children allowed to go to the ball?"

"Oh yes," said the student, "tiny little daisies and lilies of the valley!" "Where do the prettiest flowers dance?" asked little Ida. "Haven't you often been out beyond the city gate to the great palace where the king lives in summer, where there is that lovely garden with all the flowers? You've seen the swans that swim towards you when you offer them breadcrumbs. They have splendid balls out there, you may be sure!"

"I was out in the garden yesterday with my mother!" said Ida. "But all the leaves had fallen from the trees, and there weren't any flowers left at all! Where are they? I saw so many in the summer!"

"They are inside the palace!" said the student. "You see, as soon as the king and all his courtiers move into town, the flowers run straight from the garden up to the palace and make merry. You ought to see them! The two most beautiful roses sit on the throne, and then they are king and queen. All the red cockscombs line up beside them and bow; they are the gentlemen of the court. Then all the loveliest flowers arrive, and there is a grand ball. The blue violets play the part of young naval cadets, and dance with hyacinths and crocuses, whom they call young ladies! The tulips and the great yellow lilies are old matrons; they make sure the dancing is elegant and everything is conducted properly!"

"But," asked little Ida, "doesn't anyone punish the flowers for dancing in the king's palace?" "No one really knows about it!" said the student. "Sometimes, it is true, the old palace steward comes round at night to keep watch. He carries a great bunch of keys, but as soon as the flowers hear the keys rattling, they grow perfectly quiet, hide behind the long curtains, and peep out. 'I can smell flowers in here,' says the old palace steward, but he cannot see them."

"How funny!" said little Ida, clapping her hands. "But wouldn't I be able to see the flowers either?" "Oh yes," said the student. "Just remember to look in through the window the next time you go there, and you are sure to see them. I did that today, and there was a tall yellow daffodil lying on the sofa, stretching herself. She was a lady-in-waiting!"

"Can the flowers in the botanical garden go there too? Can they travel all that way?" "Indeed they can!" said the student. "For when they choose, they can fly. Surely you've seen the beautiful butterflies, the red, yellow, and white ones? They look almost like flowers, and flowers are what they once were. They have sprung from their stalks high into the air and flapped their leaves as though they were little wings, and then off they flew. And because they behaved themselves well, they were allowed to fly about in the daytime too, instead of having to go home and sit still on their stalks; and at last their leaves became real wings. You've seen that yourself! Still, it may well be that the flowers in the botanical garden have never been to the king's palace and don't know how merry it is there at night. So now I'll tell you something! Won't it astonish the professor of botany who lives next door—you know him, don't you? When you go into his garden, you must tell one of the flowers that there is a grand ball at the palace. Then it will tell all the others, and off they will fly. And when the professor comes out into the garden, there won't be a single flower left, and he won't be able to understand where they have all gone."

"But how can the flower tell the others? Flowers can't talk!" "No, indeed they can't!" answered the student. "But they use gestures! Haven't you noticed how, when there is a little breeze, the flowers nod and move all their green leaves? It is just as plain as if they were speaking!"

"Can the professor understand their gestures, then?" asked Ida. "Indeed he can! One morning he came down into his garden and saw a great stinging nettle making gestures with its leaves to a lovely red carnation. It was saying, 'You are so pretty, and I am so fond of you!' But the professor doesn't approve of that sort of thing at all, and he promptly slapped the nettle's leaves, for those are its fingers. But then it stung him, and ever since that day he has never dared touch a stinging nettle."

"How funny!" said little Ida, laughing. "Fancy putting such notions into the child's head!" said the tiresome chancery councillor, who had come to pay a visit and was sitting on the sofa. He could not bear the student, and always grumbled when he saw him cutting out his strange, amusing paper pictures: now a man hanging from a gallows with a heart in his hand, because he was a stealer of hearts; now an old witch riding on a broomstick with her husband perched on her nose. The councillor did not approve, and then he would say, just as he did now, "What notions to put into a child's head! Such foolish fancy!"

But little Ida thought the student's tales about her flowers were such fun, and she thought a great deal about them. The flowers' heads were drooping because they were tired from dancing all night; they must certainly be ill. So she carried them over to all her other toys, which stood on a pretty little table, with a whole drawer full of lovely things. Her doll, Sophie, lay asleep in the doll's bed, but little Ida said to her, "You really must get up, Sophie, and make do with sleeping in the drawer tonight. The poor flowers are ill, and they must have your bed. Perhaps then they will get well!" And she lifted the doll out, but it looked very sulky and did not say a single word, for it was angry at not being allowed to keep its bed.

Then Ida laid the flowers in the doll's bed, tucked the little blanket right up around them, and said that now they must lie nice and still, and she would boil some water for tea so they could get well and be up again tomorrow. And she drew the curtains close around the little bed, so the sun would not shine in their eyes.

All evening she could not help thinking about what the student had told her, and when it was time for her own bed, she first had to go behind the curtains hanging over the windows, where her mother's lovely flowers stood, both hyacinths and tulips. Then she whispered very softly, "I know quite well that you're going to a ball tonight!" But the flowers pretended not to understand anything and did not stir a leaf. Still, little Ida knew what she knew.

Once she was in bed, she lay for a long time thinking how lovely it would be to see the beautiful flowers dancing out at the king's palace. "I wonder whether my flowers really went too?" But then she fell asleep. During the night she woke again. She had been dreaming of the flowers and the student, whom the councillor was scolding for putting notions into her head. It was quite still in the bedroom where Ida lay. The night-light was burning on the table, and her father and mother were asleep.

"I wonder whether my flowers are lying in Sophie's bed now?" she said to herself. "How I wish I knew!" She raised herself a little and looked towards the door, which stood half open. In the next room were the flowers and all her toys. She listened, and it seemed to her that someone was playing the piano in there, very softly, and more beautifully than she had ever heard before.

"All the flowers must be dancing in there now!" she said. "Oh, how I wish I could see them!" But she dared not get up, for then she would wake her father and mother. "If only they would come in here!" she said. But the flowers did not come, and the music went on playing so beautifully that at last she could resist no longer; it was far too lovely. She crept out of her little bed, went very softly to the door, and peeped into the room. Oh, what a wonderful sight she saw!

There was no night-light in there, yet it was quite bright: the moon shone through the window onto the middle of the floor! It was almost like daylight. All the hyacinths and tulips stood in two long rows on the floor; there were none left in the window, only empty pots. Down on the floor all the flowers were dancing so prettily around one another, forming a proper chain and holding one another by their long green leaves as they whirled about. But at the piano sat a great yellow lily, which little Ida was certain she had seen in the summer, for she remembered quite well that the student had said, "Why, how like Miss Line it is!" Everyone had laughed at him then, but now Ida really thought the tall yellow flower did look like the young lady, and it played in just the same way, tilting its long yellow face first to one side, then to the other, and nodding in time to the lovely music! No one noticed little Ida at all. Now she saw a great blue crocus leap right up onto the table where the toys stood, go straight to the doll's bed, and draw the curtains aside. There lay the sick flowers, but they got up at once and nodded to those below to say that they wanted to join the dancing too. The old incense man, whose lower lip had broken off, stood up and bowed to the pretty flowers. They did not look ill at all; they jumped down among the others and were very merry.

There was a sound as though something had fallen off the table. Ida looked that way: it was the Shrovetide switch jumping down, for it too felt that it belonged among the flowers. It was very pretty, and at the top sat a little wax doll wearing just such a broad hat as the councillor wore. The Shrovetide switch hopped on its three red wooden legs right into the midst of the flowers and stamped very hard, for it was dancing the mazurka, and that was a dance the other flowers could not manage, because they were so light and could not stamp.

All at once the wax doll on the Shrovetide switch grew tall and large, spun round above the paper flowers, and shouted at the top of its voice, "Fancy putting such notions into the child's head! Such foolish fancy!" And now the wax doll looked exactly like the councillor in his broad hat, every bit as yellow and cross. But the paper flowers beat him about his thin legs, and then he shrank back into a tiny little wax doll again. It was such fun to watch! Little Ida could not help laughing. The Shrovetide switch went on dancing, and the councillor had to dance along, whether he made himself tall and large or remained the little yellow wax doll with the big black hat. Then the other flowers pleaded for him, especially those that had been lying in the doll's bed, and the Shrovetide switch left him alone. Just then there was a loud knocking inside the drawer where Ida's doll Sophie lay among so many other toys. The incense man ran to the edge of the table, lay flat on his stomach, and managed to pull the drawer out a little. Sophie stood up and looked all around in great surprise. "There seems to be a ball here!" she said. "Why hasn't anyone told me?"

"Will you dance with me?" said the incense man. "Oh, you're a fine one to dance with!" she said, turning her back on him. Then she sat on the drawer, thinking that surely one of the flowers would come and ask her to dance, but none came. So she coughed, "Ahem, ahem, ahem!" But still not one came. The incense man danced all by himself, and not at all badly!

Since none of the flowers seemed to notice Sophie, she let herself tumble from the drawer straight onto the floor, making a great commotion. All the flowers came running and gathered round her, asking whether she had hurt herself, and they were all so kind to her, especially the flowers that had been lying in her bed. But she had not hurt herself at all, and all Ida's flowers thanked her for the lovely bed and were very fond of her. They took her into the middle of the floor, where the moon was shining, and danced with her, while all the other flowers formed a ring around them. Now Sophie was happy! And she said they were welcome to keep her bed; she did not mind sleeping in the drawer at all.

But the flowers said, "Thank you so very much, but we cannot live much longer! Tomorrow we shall be quite dead. But tell little Ida to bury us out in the garden, where the canary lies, and then we shall grow up again in the summer and be much more beautiful!"

"No, you mustn't die!" said Sophie, and she kissed the flowers. Just then the drawing-room door opened, and a whole crowd of lovely flowers came dancing in. Ida could not imagine where they had come from; surely they were all the flowers from the king's palace. At the very front came two lovely roses wearing little gold crowns: they were a king and queen. Then came the prettiest stocks and carnations, bowing in every direction. They had brought music with them: great poppies and peonies blew on pea pods until their faces were quite red. The bluebells and the little white snowdrops jingled as though they wore tiny bells. What merry music it was! Then came so many other flowers, and they all danced together, the blue violets and the red daisies, the little field daisies and the lilies of the valley. And all the flowers kissed one another; it was lovely to see!

At last the flowers wished one another good night, and little Ida too crept back to bed, where she dreamed of everything she had seen. When she got up the next morning, she hurried to the little table to see whether the flowers were still there. She drew back the curtain from the little bed, and yes, there they all lay, but they were quite withered, much more so than yesterday. Sophie lay in the drawer where Ida had put her, looking very sleepy.

"Can you remember what you were supposed to tell me?" said little Ida. But Sophie looked quite blank and did not say a single word. "You're not good at all," said Ida, "and yet they all danced with you." Then she took a little cardboard box with pretty birds drawn on it, opened it, and laid the dead flowers inside. "This shall be your pretty coffin," she said, "and later, when my Norwegian cousins come, they shall help bury you out in the garden, so that you can grow up again in the summer and be even more beautiful!"

The Norwegian cousins were two lively boys named Jonas and Adolph. Their father had given them two new bows, and they had brought them along to show Ida. She told them about the poor flowers that had died, and then they were allowed to help bury them. The two boys walked in front with their bows over their shoulders, and little Ida followed with the dead flowers in the pretty box. Out in the garden a little grave was dug. First Ida kissed the flowers, then she lowered them into the earth in their box, and Adolph and Jonas shot their bows over the grave, for they had neither guns nor cannons.

Izvirnik

Den lille Idas blomster

Naslednje strani prikazujejo izvirno besedilo za primerjavo.

Eventyr af Hans Christian Andersen

"Mine stakkels blomster er ganske døde!" sagde den lille Ida. "De var så smukke i aftes, og nu hænger alle bladene visne! Hvorfor gør de det?" spurgte hun studenten, der sad i sofaen; for ham holdt hun så meget af, han kunne de allerdejligste historier og klippede sådanne morsomme billeder: hjerter med små madammer i, der dansede; blomster og store slotte, hvor dørene kunne lukkes op; det var en lystig student! "Hvorfor ser blomsterne så dårlige ud i dag?" spurgte hun igen, og viste ham en hel buket, der var ganske vissen.

"Ja ved du, hvad de fejler!" sagde studenten. "Blomsterne har været på bal i nat, og derfor hænger de med hovedet!"

"Men blomsterne kan jo ikke danse!" sagde den lille Ida.

"Jo," sagde studenten, "når det bliver mørkt og vi andre sover, så springer de lystigt omkring; næsten hver evige nat har de bal!"

"Kan der ingen børn komme med på det bal?"

"Jo," sagde studenten, "småbitte gåseurter og liljekonvaller!"

"Hvor danser de pæneste blomster," spurgte lille Ida. "Har du ikke tit været ude af porten ved det store slot, hvor kongen bor om sommeren, hvor den dejlige have er med de mange blomster? Du har jo set svanerne, der svømmer hen til dig, når du vil give dem brødkrummer. Derude er rigtigt bal, kan du tro!"

"Jeg var der ude i haven i går med min moder!" sagde Ida, "men alle bladene var af træerne, og der var slet ingen blomster mere! hvor er de? I sommer så jeg så mange!"

"De er inde på slottet!" sagde studenten. "Du må vide, at lige så snart kongen og alle hoffolkene flytter herind til byen, så løber blomsterne straks fra haven op på slottet og er lystige. Det skulle du se! De to allersmukkeste roser sætter sig på tronen, og så er de konge og dronning. Alle de røde hanekamme stiller sig op ved siden, og står og bukker, de er kammerjunkere. Så kommer alle de nydeligste blomster, og så er der stort bal, de blå violer forestiller små søkadetter, de danser med hyacinter og krokus, som de kalder frøkener! Tulipanerne og de store gule liljer, det er gamle fruer, de passer på, at der bliver danset net, og at det går pænt til!"

"Men," spurgte lille Ida, "er der ingen, som gør blomsterne noget, fordi de danser på kongens slot?"

"Der er ingen, som rigtigt ved af det!" sagde studenten, "sommetider, om natten, kommer rigtignok den gamle slotsforvalter, der skal passe på der ude, han har et stort knippe nøgler med sig, men så snart blomsterne hører nøglerne rasle, så bliver de ganske stille, skjuler sig bag ved de lange gardiner og stikker hovedet frem. 'Jeg kan lugte, her er nogle blomster inde,' siger den gamle slotsforvalter, men han kan ikke se dem."

"Det er morsomt!" sagde den lille Ida og klappede i hænderne. "Men kunne jeg heller ikke se blomsterne?"

"Jo," sagde studenten, "husk bare på, når du kommer der ud igen, at kigge ind af vinduet, så ser du dem nok. Det gjorde jeg i dag, der lå en lang gul påskelilje i sofaen og strakte sig, det var en hofdame!"

"Kan også blomsterne i den botaniske have komme der ud? Kan de komme den lange vej?"

"Ja, det kan du tro!" sagde studenten, "for når de vil, så kan de flyve. Har du ikke nok set de smukke sommerfugle, de røde, gule og hvide, de ser næsten ud som blomster, det har de også været, de er sprunget af stilken højt op i luften, og har da slået med bladene, ligesom de var små vinger, og så fløj de; og da de førte sig godt op, fik de lov at flyve om også ved dagen, skulle ikke hjem igen, og sidde stille på stilken, og så blev bladene til sidst til virkelige vinger. Det har du jo selv set! Det kan ellers gerne være, at blomsterne inde i den botaniske have aldrig har været ude på kongens slot, eller ved, at der er så lystigt der om natten. Nu skal jeg derfor sige dig noget! så vil han blive så forbavset, den botaniske professor, der bor ved siden af, Du kender ham jo nok? Når du kommer ind i hans have, skal du fortælle én af blomsterne, at der er stort bal ude på slottet, så siger den det igen til alle de andre, og da flyver de af sted; kommer da professoren ud i haven, så er der ikke en eneste blomst, og han kan slet ikke forstå, hvor de er henne."

"Men hvor kan blomsten fortælle det til de andre? Blomsterne kan jo ikke tale!"

"Nej, det kan de rigtignok ikke!" svarede studenten; "men så gør de pantomime! Har du ikke nok set, at når det blæser lidt, så nikker blomsterne, og bevæger alle de grønne blade, det er lige så tydeligt, som om de talte!"

"Kan professoren da forstå pantomime?" spurgte Ida.

"Ja, det kan du tro! Han kom en morgen ned i sin have og så en stor brændenælde stå at gøre pantomine med bladene til en dejlig rød nellike; den sagde, du er så nydelig og jeg holder så meget af dig! men sådan noget kan professoren nu slet ikke lide, og slog straks brændenælden over bladene, for de er dens fingre, men så brændte han sig, og fra den tid tør han aldrig røre ved en brændenælde."

"Det var morsomt!" sagde den lille Ida og lo.

"Er det at bilde barnet sådan noget ind!" sagde den kedelige kancelliråd, der var kommen i visit og sad i sofaen; han kunne slet ikke lide studenten og gnavede alle tider, når han så ham klippe de løjerlige, morsomme billeder: snart en mand, der hang i en galge og holdt et hjerte i hånden, for han var en hjertetyv, snart en gammel heks, der red på en kost og havde sin mand på næsen; det kunne kancelliråden ikke lide, og så sagde han, ligesom nu, "er det noget, at bilde barnet ind! det er den dumme fantasi!"

Men den lille Ida syntes dog, det var så morsomt, hvad studenten fortalte om hendes blomster, og hun tænkte så meget derpå. Blomsterne hang med hovedet, fordi de var trætte af at danse hele natten, de var bestemt syge. Så gik hun med dem hen til alt sit andet legetøj, der stod på et pænt lille bord, og hele skuffen var fuld af stads. I dukkesengen lå hendes dukke, Sophie, og sov, men den lille Ida sagde til hende: "Du må virkelig stå op, Sophie, og tage til takke med at ligge i skuffen i nat, de stakkels blomster er syge, og så må de ligge i din seng, måske de da bliver raske!" og så tog hun dukken op, men den så så tvær ud og sagde ikke et eneste ord, for den var vred, fordi den ikke måtte beholde sin seng.

Så lagde Ida blomsterne i dukkesengen, trak det lille tæppe helt op om dem og sagde, nu skulle de ligge smukt stille, så ville hun koge tevand til dem, at de kunne blive raske og komme op i morgen, og hun trak gardinerne tæt om den lille seng, for at solen ikke skulle skinne dem i øjnene.

Hele aftnen igennem kunne hun ikke lade være at tænke på, hvad studenten havde fortalt hende, og da hun nu selv skulle i seng, måtte hun først hen bag gardinerne, der hang ned for vinduerne, hvor hendes moders dejlige blomster stod, både hyacinter og tulipaner, og så hviskede hun ganske sagte: Jeg ved nok, I skal på bal i nat! men blomsterne lod, som om de ingenting forstod og rørte ikke et blad, men lille Ida vidste nok, hvad hun vidste.

Da hun var kommet i seng, lå hun længe og tænkte på, hvor nydeligt det kunne være at se de dejlige blomster danse derude på kongens slot. "Mon mine blomster virkelig har været med?" Men så faldt hun i søvn. Ud på natten vågnede hun igen, hun havde drømt om blomsterne og studenten, som kancelliråden skændte på og sagde ville bilde hende noget ind. Der var ganske stille i sovekammeret, hvor Ida lå; natlampen brændte henne på bordet, og hendes fader og moder sov.

"Mon mine blomster nu ligger i Sophies seng?" sagde hun ved sig selv, "hvor jeg dog gerne ville vide det!" Hun rejste sig lidt og så hen til døren, der stod halv på klem, derinde lå blomsterne og alt hendes legetøj. Hun lyttede efter, og da var det ligesom om hun hørte, at der blev spillet på klaver inde i stuen, men ganske sagte, og så nydeligt, som hun aldrig før havde hørt det.

"Nu danser vist alle blomsterne derinde!" sagde hun, "oh Gud, hvor jeg dog gerne ville se det!" men hun turde ikke stå op, for så vækkede hun sin fader og moder. "Bare de dog ville komme herind," sagde hun; men blomsterne kom ikke og musikken vedblev at spille så nydeligt, da kunne hun slet ikke lade være, for det var alt for dejligt, hun krøb ud af sin lille seng og gik ganske sagte hen til døren og kiggede ind i stuen. Nej, hvor det var morsomt, hvad hun fik at se!

Der var slet ingen natlampe derinde, men alligevel ganske lyst, månen skinnede gennem vinduet midt ind på gulvet! det var næsten ligesom det kunne være dag. Alle hyacinterne og tulipanerne stod i to lange rækker på gulvet, der var slet ingen flere i vinduet, dér stod tomme potter, nede på gulvet dansede alle blomsterne så nydeligt rundt om hinanden, gjorde ordentlig kæde og holdt hverandre i de lange grønne blade, når de svingede rundt. Men henne ved klaveret sad en stor gul lilje, som lille Ida bestemt havde set i sommer, for hun huskede godt, studenten havde sagt: "Nej, hvor den ligner frøken Line!" men da lo de alle sammen af ham; men nu syntes virkelig Ida også, at den lange gule blomst lignede frøkenen, og den bar sig også ligesådan ad med at spille, snart lagde den sit aflange gule ansigt paa den ene side, snart på den anden, og nikkede takten til den dejlige musik! Slet ingen mærkede den lille Ida. Nu så hun en stor blå krokus hoppe midt op på bordet, hvor legetøjet stod, gå lige hen til dukkesengen og trække gardinerne til side, der lå de syge blomster, men de rejste sig straks op og nikkede ned til de andre at de også ville med at danse. Den gamle røgmand, som underlæben var brækket af, stod op og bukkede for de pæne blomster, de så slet ikke syge ud, de hoppede ned mellem de andre og var så fornøjede.

Det var ligesom om noget faldt ned af bordet, Ida så derhen, det var fastelavnsriset, der sprang ned, det syntes også, at det hørte med til blomsterne. Det var også meget nydeligt, og oveni sad en lille voksdukke, der havde just sådan en bred hat på hovedet, som den kancelliråden gik med. Fastelavnsriset hoppede på sine tre røde træben midt ind imellem blomsterne, og trampede ganske stærkt, for det dansede mazurka, og den dans kunne de andre blomster ikke, fordi de var så lette og kunne ikke trampe.

Voksdukken på fastelavnsriset blev lige med ét stor og lang, snurrede sig rundt oven over papirsblomsterne og råbte ganske højt: "Er det at bilde barnet sådan noget ind! det er den dumme fantasi!" og så lignede voksdukken ganske akkurat kancelliråden med den brede hat, så lige så gul og gnaven ud, men papirsblomsterne slog ham om de tynde ben, og så krøb han sammen igen og blev en lille bitte voksdukke. Det var så morsomt at se! den lille Ida kunne ikke lade være at le. Fastelavnsriset blev ved at danse, og kancelliråden måtte danse med, det hjalp ikke, enten han gjorde sig stor og lang eller blev den lille gule voksdukke med den store, sorte hat. Da bad de andre blomster for ham, især de, der havde ligget i dukkesengen, og så lod fastelavnsriset være. I det samme bankede det ganske stærkt inde i skuffen, hvor Idas dukke, Sophie, lå ved så meget andet legetøj; røgmanden løb hen til kanten af bordet, lagde sig langs ud på sin mave og fik skuffen en lille smule trukket ud. Der rejste Sophie sig op, og så ganske forundret rundt omkring. "Her er nok bal!" sagde hun; "hvorfor er der ingen, der har sagt mig det!"

"Vil du danse med mig?" sagde røgmanden.

"Jo, du er en pæn én at danse med!" sagde hun og vendte ham ryggen. Så satte hun sig på skuffen og tænkte, at nok en af blomsterne ville komme at engagere hende, men der kom ingen, så hostede hun, hm, hm, hm! men alligevel kom der ikke én. Røgmanden dansede så ganske alene, og det var ikke så dårligt!

Da nu ingen af blomsterne syntes at se Sophie, lod hun sig dumpe fra skuffen lige ned på gulvet, så det gav en stor alarm; alle blomsterne kom også løbende hen rundt omkring hende og spurgte, om hun ikke havde slået sig, og de var alle så nydelige imod hende, især blomsterne, der havde ligget hendes seng; men hun havde slet ikke slået sig, og alle Idas blomster sagde tak for den dejlige seng og holdt så meget af hende, tog hende midt hen på gulvet hvor månen skinnede, dansede med hende, og alle de andre blomster gjorde en kreds udenom; nu var Sophie fornøjet! og hun sagde, de måtte gerne beholde hendes seng, hun brød sig slet ikke om at ligge i skuffen.

Men blomsterne sagde: "Du skal have så mange tak, men vi kan ikke leve så længe! i morgen er vi ganske døde; men sig til den lille Ida, at hun skal begrave os ude i haven, hvor kanariefuglen ligger, så vokser vi op igen til sommer og blive meget smukkere!"

"Nej, I må ikke dø!" sagde Sophie, og så kyssede hun blomsterne; i det samme gik salsdøren op, og en hel mængde dejlige blomster kom dansende ind, Ida kunne slet ikke begribe, hvor de var kommet fra, det var bestemt alle blomsterne ude fra kongens slot. Allerforrest gik to dejlige roser, og de havde små guldkroner på, det var en konge og en dronning, så kom de nydeligste levkøjer og nelliker og de hilste til alle sider. De havde musik med, store valmuer og pæoner blæste i ærtebælge så de var ganske røde i hovedet. De blå klokker og de små hvide sommergækker klingede, ligesom de havde bjælder på. Det var en morsom musik. Så kom der så mange andre blomster, og de dansede alle sammen, de blå violer og de røde bellis, gåseurterne og liljekonvallerne. Og alle blomsterne kyssede hinanden, det var nydeligt at se!

Til sidst sagde blomsterne hinanden god nat, saa listede også den lille Ida sig hen i sengen, hvor hun drømte om alt, hvad hun havde set.

Da hun næste morgen kom op, gik hun gesvindt hen til det lille bord, for at se om blomsterne var der endnu, hun trak gardinet til side fra den lille seng, ja, der lå de alle sammen, men de var ganske visne, meget mere end i går. Sophie lå i skuffen, hvor hun havde lagt hende, hun så meget søvnig ud.

"Kan du huske, hvad du skulle sige til mig," sagde den lille Ida, men Sophie så ganske dum ud og sagde ikke et eneste ord. "Du er slet ikke god," sagde Ida, "og de dansede dog alle sammen med dig." Så tog hun en lille papirsæske, der var tegnet nydelige fugle på, den lukkede hun op og lagde de døde blomster i den. "Det skal være eders nydelige ligkiste," sagde hun, "og når siden de norske fætre kommer herhen, så skal de være med at begrave eder ude i haven, at I til sommer kan vokse op og blive endnu meget smukkere.!"

De norske fætre var to raske drenge, de hed Jonas og Adolph; deres fader havde foræret dem to nye flitsbuer, og disse havde de med at vise Ida. Hun fortalte dem om de stakkels blomster, der var døde, og så fik de lov at begrave dem. Begge drengene gik foran med flitsbuerne på skulderen, og den lille Ida bagefter med de døde blomster i den nydelige æske; ude i haven blev gravet en lille grav; Ida kyssede først blomsterne, satte dem så med æsken ned i jorden, og Adolph og Jonas skød med flitsbuer over graven, for de havde ingen geværer eller kanoner.